Crybabies: The Scaring review – chills and laughs abound in twisty tale of demonic possession

Pleasance Courtyard, Edinburgh
This fantastic comic play from the Radio 4 trio unleashes a torrent of great gags and illusions

Horror pastiche has a proud lineage at this festival – for example Garth Marenghi, and Andrew Doherty’s hit Gay Witch Sex Cult two summers ago. In that company, Crybabies’ The Scaring can stand as tall as the demon Haeldrrun towering over its finale: it’s another fantastic comic play from the Radio 4 trio of Michael Clarke, James Gault and Ed Jones with chills as well as laughs, and production values rarely seen on the fringe. A tale of demonic possession and a disillusioned priest, set in a guesthouse that makes the Overlook in The Shining seem five-star by comparison, it’s as tightly packed with smart gags as a hotelier’s cellar with the corpses of slaughtered guests.

The plotting, too, is twistier than Regan’s neck in The Exorcist, a moment referenced in one creepy/comical scene here featuring a haunted dolly. It begins with two priests exorcising a beast from another dimension. But the beast wins, leaving our hero Father Arthur bereft of his partner, and his calling. And so (cue non sequitur second scene) he must take up work in the immersive stag-do industry – at least until summoned to the Lyle Away hotel, where a reckoning with his traumatic past awaits ….

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from The Guardian https://ift.tt/uy3hUp2

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