‘The most dangerous stage I’ve ever been on’: the wildest performances of Wagner’s Ring

Gods! Dragons! Horned helmets! Swords! Valkyries! The 15-hour apocalyptic epic is about to explode onto the Royal Opera stage. But what’s the best way to tackle ‘the ultimate opera’?

Wagner doesn’t mean what it used to. Google “Wagner” today and you’ll be up to speed with the Russian private army’s exploits well before you read about Hitler’s favourite composer. In fact “Wagner” is as likely to suggest the 2010 X Factor contestant as the maverick German genius who, after handing out grenades on the Dresden barricades in 1848, sought to liberate opera from its Italianate shackles by means of Gesamtkunstwerk – or “total works of art” – and thereby free humans from lives of spiritless toil and demeaning leisure.

Chief among Wagner’s total works of art is the 15-hour operatic tetralogy Der Ring des Nibelungen, which the Royal Opera House begins to roll out next week. The first instalment, Das Rheingold, will be conducted by Antonio Pappano in his final season as Covent Garden’s music director, and directed by self-described “gay Jewish kangaroo” and sometime hater of Wagner, Barrie Kosky.

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from The Guardian https://ift.tt/rvKlFTD

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